Recently I was a noongar bush tour with an indigenous elder and she made a comment about “how it is nice just blending in with what is out there.” This had me thinking about landscape, its impact on me and how I see as an artist.
Painting ‘blended’ I wanted to feel fully immersed in the process and I added a range of skin tones from light to dark in order to evoke human connection and a longing for connection.