Gretel Bull is a mixed-media artist working primarily in photography and sculpture. Her conceptual practice is concerned with exploring the tensions that exist between human and more-than-human subjects, and the scientific and mythological theories that define their relationships. Specifically, how these frameworks shape our physical reality and mediate our place within the larger eco- and cosmic systems.
In 2022, Gretel was awarded an Arts NT Emerging Artist grant to develop her project, ‘Persephone’s Urn’, an ongoing series exploring the role of mythology in ecological care. Works from this project were shortlisted in both The Alice Prize (2022) and the National Emerging Artist Prize (NEAP, 2022).
In 2024, one of Gretel’s works ‘Time-like infinity’, from the ongoing project, ‘It takes longer than you think’, was shortlisted in The Alice Prize. Gretel was also awarded an Arts NT Professional Development grant for a collaborative project with Canberra-based artist Bec Selleck (2024-25).
Gretel’s works currently feature in the nationally touring exhibition, ‘Clay on Country: Ceramics from the Central Desert’ (2024-26, touring ten regional galleries). Her sculpture, ‘The tongue meets the flower and the flower meets the tongue’ was awarded second prize in the Northern Territory Art Prize (2026).