Gunyan
Datjuluma produced this work with reference to her mothers country at Djarrakpi which is at the base of Cape Shield, the northern
perimeter of Blue Mud Bay. This Maŋgalili country is also site of one of the Ancestral ceremonial/burial grounds called the
Yiŋapuŋapu.
The Yiŋapuŋapu is a low relief sand sculpture designed to keep any contaminaon of death at bay as tradionally the body of the
deceased was placed within it for inial mortuary rites, to cleanse the bones of dangerous spirits held within the body ssue. A
metaphor for this acon of cleansing is ulised by the Maŋgalili in their sacred painngs by way of depicng Mirriya or Gunyan the
sand or ghost crab picking the bones of a fish carcass on the beach. Contemporary Maŋgalili on the beaches of Djarrakpi put their
food scraps in one place when at camp – the secular Yiŋupuŋapu. This painng shows the totemic Mirriya which feeds on the
Ancestral remains of the parrot fish Yambirrku. The miny’tji or sacred clan design for the sandscapes of Djarrakpi both adorn and
surround the crabs. In tradional mortuary ceremony for this clan the last act is to catch and eat Yambirrku and dispose of the bones
in the ceremonial sand sculpture for the crabs to pick clean overnight.
So a canoe and paddles were made and their journey began by paddling down the Milŋiyawuy River which flows into the Blue Mud
Bay near Djarrakpi. In the bay, at a place of significance, strong winds developed and a wake from the ancestral turtle capsized the
canoe – the men drowned. At this place is the site of Yiŋalpiya, the freshwater crocodile’s nesng place. This same place is the spirit
source for Maŋgalili people.
Datjuluma lives and works in Gunyangara (Ski Beach) in North East Arnhemland. She is married to Djawa Yunupingu senior
Gumatj clan leader and younger brother of Galarrwuy Yunupiŋu one of the most senior Gumatj Clan leaders.
Her father Waratjima Guyula was part of a small number of Djambarrpuyŋu clan members who lived around Yirrkala whilst
most of this large clan are based in Western Yolŋu country. There is an ancient sacred connecon between this clan and the
Rirratjiŋu landowners of Yirrkala stemming form a shared songline Djarrak – the sea tern. Her mother Naminapu Maymuru
is a well known Maŋgalili arst whom is famous for her painngs of the Milŋiyawuy, Milky Way painngs as well as her
more classical Maŋgalili bark painngs. Naminapu and her family were part of the thriving arst’s school which developed
around her grandfathers Narritjin and Nanyin Maymuru.
Datjuluma is following both her parents in there arsc careers and is forming a strong visual identy as a powerful arst in
her own right.
Established in 2021, the National Emerging Art Prize was created to provide an annual, highly visible national platform to identify, promote and support the most promising emerging visual artists in Australia.